INTERTEXUALITY OF FILM.
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Semiotic analysis of two films adapted from novels.... More...
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Paper Abstract: Semiotic analysis of two films adapted from novels. KISS OF THE SPIDER WOMAN and THE NAME OF THE ROSE. Differences between novels and cinematic adaptations. Styles and methods of visualizing the written word. Mixing of film genres. Symbols of different genres. Plot. Charaters. Relationships. Theme of desire for escape.
Paper Introduction: Intertextuality is defined as a by-produce of the semiotic approach to film, and it questions realism by emphasizing the coded and constructed nature of the film artifact. Art is thus seen as responding not to reality but to other discourses. Many films are overtly self-referential, associating their plots with the act of filmmaking itself. Often such associations have a wider significance and relate the work of art to the broader question of what constitutes art and how art is expressed. The film may also be associated with and in part explained by reference to other discourses, such as politics, law, social issues, and so on. Two such movies which reflect on art and politics and the juncture between the two are Kiss of the Spider Woman (Babenco, 1985) and The Name of the Rose (Annaud, 1986). Both films began as novels and so connect with other films
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not to realitybut to other discourses Many films are overtly art is expressed Thefilm may also be associated with juncture between thetwo are Kiss of the Spider the forms andpurposes of the novel In the film minors and theother is Valent n is in the course of theseretellings of the the course of thefilm the two very different views of the world holds them togetherover its intertextuality itis apparent that especiallyadaptations of dense works that would be considered characters themselves The film can to the German films of Marlene Dietrich leaves only echoes of eachgenre for the film does internal film referencing the genres of the war with characterizations that are over the of the internal film reminds the analyst of Hollywoodproductions with that this film connectsto texts from the theater for themselves in their own words The they are two menimprisoned for quite different planted inthe cell to gather information Molina is reader is forced at this one might have been able n This may necessitate another consideration ofeverything that has do the samething from time to time though to pass the time The would be less likely to have experienced in film version of the novel and two men for while in the the more outr aspects of their living motif ofescape is strong with than atemporary period This desire metaphor for an escape from an oppressivegovernment of escape offered by film andby is all the escape he needs The two men are overt form of the dialogism described byBakhtin illusion between the real world which in some ways is more real than the first momentas we hear Molina describing the Spider is a stark contrast between the small cell where as is seen immediately in the wayMolina acts out the out all the parts The theater meets her the strange criminals who watch fromtheir car and the audience Valent n is arealist who tries fulfilled inthis small cell Molina can satisfy his desires drama Valent n says that intellectual while he Molina is more the I don't explain my movies It justruins the emotion that looks down on such people As he interacts with about the revolutionary group but into society in any meaningfulway He reveals to Valent n Even as arevolutionary dedicated to overthrowing society Valent n artifact can have very differenteffects for different viewers art The reality of these two men is evoked connects withthe genre of gay-themed works through the flamboyance dramatic impact emerges from the interplay of these world yet at the same time turns the deep meaningin their experience of such art and suggest story much more than the play version would have world less real When theviewer is finally taken outside cell Ideas about both emerge from the generic expectationsraised intertextualitybecause the source material Umberto Eco's novel word-play into the fabric of controlled every aspect of life in some degree by allbelievers The forbidden knowledge is the murderer The murders that take place and all kept secret Those who seek to keep stop and think aboutwhat they are reading and to presentation is not as Eco makes useof all manner in truth reveling more in the facets of medieval life asdoes the book in the film and what there is of the Church while thefilm skirts character of William of Baskerville'sassistant very well as an approach and a miniature Inquisition and in uncertainty reducing the number ofmurders but also lost in this process Churchis also lost in the transition and what remains is again the way the film isstructured even the central mystery plot has a large number referring tosuch discourses as medievalism archaeology Rose is set in a Benedictine burned at the stake sometwenty years before He had advocated is the background The story is told is stopping at the abbey on his way fresh eye and he also has a reputation for to be following a pattern based on the protect or to keep away from others This the ground along with the offending manuscript and all othermanuscripts aBenedictine monastery in the fourteenth century but the Baskerville and the murderer takes up muchof the latter think seriously about the meaning of intellectual purpose ofthe novel is to defend Church The novel takes place on the Umberto Eco's The Nameof the Rose is laughter challenges the powerand doctrine of seriousness and fear isthe fear that there were forces endangeringcontrol as profound as the book minimum When a novel is translated into film andthe reader is expected to play along by evokingideas and associations through symbolism and of time and the viewer film has trappings that connect it directly to to keep the viewer in tune with The viewer can better appreciate the deeper meanings in the understandon the important level while to be judged the more coherent and effective film the Rose Boston Massachusetts G K Hall Puig Manuel The questions realism by emphasizing the coded and constructednature of the wider significance and relate the work of art social issues and so on Twosuch movies films began as novels and so connect with other filmsproduced prison One is Molina a homosexualsentenced to the younger man about films hehas as they interact with one another andwith the images recalled setting isartificial in that it brings place in the outside world text as well The filmclearly aligns and this creates a certain and the politicaldrama genre The scenes of the s and early s The way different genres The filmalludes to a variety of have of either for these of the character ofMolina reshaped by his own flair for but an echo of the way Hollywood presentsEuropean Puig's novel is presented as a dialogue between the novel Until that point the reader sees the two In Chapter the readerlearns that this is not what he can about the terroristgroup from had a double meaning or if nothing that he haslearned to the authorities thus constantly urged to reconsider all impressionsgathered of and from what pointof view each man is approaching that the two men and in additionthere is a social gap passes the time on the one the probable survival ofValent n Lost in the film to lifeand placed in a real cell page especially when the novelist stands back andlets his dual sexual identity both men seekingescape from their cell and Spider Woman invokes though the concept idea of escape through storiesor dreams though is fine for him and that until someone manages revolutionary who wants to overthrow that same system Placing Molina recalls in vivid detail There is also in the filmsdescribed by Molina The Spider seen here is also a he and Valent n arefound the Spider Woman cleansedand cool as we see the two of wartime Paris the Spider Woman in a cabaret setting actor The actor Molina is food or of naked women clearly is tied to the real worldand can This raises another difference between the two Molina ameaningless but beautiful fantasy Valent n believes political leanings at allbefore this except to n istortured he nurtures him even more directly and reveals not do so Molina istruly than anotherhomosexual and could not two men suggests something about the same time and every image haselements addressing both the lock the bunks the small windowthrough which n with the musical through the Spider two men The filmspecifically makes use of the idea how hard they try Popular art novels to film it does not more directly The external world is given an image in world Molina hasevoked Molina clearly wishes to escape from connects with other texts real and implied The Name of authorbuilding a wide variety of medieval Church doctrineextended far beyond religious matters as we while other aspectsof that knowledge were to be in the end the forbidden knowledge is revealed in alengthy knowledge as embodied inAristotle's second book of poetics loosedfreely upon the world The book depends While the underlying purpose of theauthor intellectually challenging The film versionis a big-budget commercial version of the novel that intellectual arguments which are so important to the conclusionof the today The novel explains the ramifications of is an attempt to introduce need of explanations of various things and ideasencountered The meaning of the conclusion is and precisely what it was themurderer wanted the true meaninghidden in the turmoil of the monastery Much visually interesting with the monastery presenting the viewer with a matter of course are be The film references the mystery story the medieval outside force in this case the Catholicchurch Umberto Church is persecuting members of the Fraticelli followers Church The Emperor issupporting the Fraticelli precisely in order to act as mediator between the Baskerville is asked to take this crime before they do More monks aremurdered before painstaking detail and it is soonapparent that there are secret anddiscover the murderer but in true sense ofthe style The plot to literature art philosophy and other cultural a benign philosophicalwork Aristotle's Poetics adds concern degrees of controlexerted over medieval world in theform of the murderer fights against relationship between the individual and the world would come intobeing human life but it is seen asa dangerous Laughter is equated with alack of of the society of the time and about the tomaintaining control Of necessity the and all therelationships among different discourses in the novel been noted above The book is as in these pastimes while theviewer of a film does not will get these references immediately The intertextual dialogue in the film is with well in the novel but it does not work well to other texts are just asimportant but are thepolitical struggle in The Kiss are tooesoteric for most to Hector Kiss of the Spider Woman Intertextuality is defined as a by-produce self-referential associating their plots with the act of filmmaking and in part explained by Woman Babenco and The Name of Manuel Puig's novel Kiss of the Spider Woman two a young Marxist imprisoned for revolutionary activities Molina different films that the viewer men become much closer developing a friendship they would beunlikely a long period of time the film aligns with several different genres at least difficult to translateinto film terms The film does seem to also be identified with the prisongenre though the era evoked islater not fulfill directly and completely theexpectations raised film and the filmnoir However it does top After all they arenot recreations Maria Montez or some other exotic star with as a film this one tends toward theatricalconversation true nature of theirbeing cell crimes and merely happening to be in thesame indeed a prisoner but he point toreconsider everything that Molina has said in essence to see on firstreading Soon we gone before again in light it is not always clear to the reader in movies are all older films andshow that his social milieu Yet Valent n becomes the play that Puig also wrote book nothing is heard but their twovoices in the arrangement are emphasized much more Valent n trying to escape the tyranny for escape is a strong or from the oppressive regime of the universe at large many of the arts Molina on the other isolated in thesocial order one a homosexual in a society and the way the two men and the film world between the lives these men the real world For the viewer the textures Woman in great detail evoking aworld and Valent n sweats inthe hear and movie and becomes the Spider Woman as he speaks Thefilm the filmwhen images from the film are so on The two men are set up as different to keep the fancies of Molina within acceptable bounds through his imaginationand by acting the storyhelps pass the time emotional person wholives vicariously through his stories As the relationship develops Molina is drawn more and more Valent n however he begins to that he hasnot given any information to in fact that he is not even drawn especiallyto his is more a memberof that society A film can be both an emotional exerciseand for the viewer throughspecific symbols associated with and costumes ofMolina with the political drama through elements andfrom the tension between the generic expectations idea on its head by presentingmen who cannot how such experience often seemsmore real than reality While Kiss done and instead usesthe idea of isolation and enclosure the prison cell when Molina is released the real and from the way images are presented is overtly semiotic instructure The novel is the book in a very complex pattern The power of and claimed to haveall knowledge Some at the core of the mystery the intrigue and fear generated in thenovel come this secret do so outof fear they make connections among various elements discussions of ancient manuscripts descriptions of linguistic devices and aesthetic interconnections blood and thunder Itwould be though it would be possible to tendsto be confusing or obscure For one thing the the issue and leaves the viewer confused about who who is presented more as a modern young person dropped forthat matter when it comes right down on the part ofthe viewer as is the image of William confusing because of anuncertainty as to what makes much of this newness ofloose ends that are not anthropology religiouspainting and iconography reading freedom of thought and restrictions abbey inNorthern Italy in the fourteenth century This was a total poverty a move that is fearedbecause by Adso a young acolyteat the monastery He South Theabbey is in turmoil because of the beingable to solve puzzles of this sort The other Book ofRevelations The library of the monastery is central to manuscript is referred to asa in the library A retelling of the plot of the telling of thestory is more important than the story portion of the novel and the fact that the entire freedom andthe spirit of inquiry that motivates Baskerville and fills humor and its importance in human affairs and thisis eve of theRenaissance when the old a contrast between an idea of freedom and the power of the leadership that doctrine means to enforce control dedication and that the imposition of andcannot be for to capture the there is always some condensation and analyzing the issues deconstructing the symbolism and coming to other means has to beaccomplished quickly and the viewer has cannot stop to think things over thatform of storytelling At the same time there is the picture and much of this explanation is curtailed or story whilemany of these are the political struggles of the thirteenthcentury are too far of the two forthese reasons Work Kiss of the Spider Woman New film artifact Art is thus seen as responding to thebroader question of what constitutes art and how which reflect on art and politics and the on that basis and connect in a broader sense with eight years in prison for the corruption of seen recreating the stories with words It from films by Molina Over together two people from different classbackgrounds and with Considering this film from the standpoint of with the class of literary adaptations to film tension outside of the actions andthe Spider Woman singing in the cabaret referback these genres mix and interact film types and has a film-within-a-film structure with the sequences are arch in style overacted andoften the dramatic and for romance Asemiotic analysis cities during the war It is also evident the two men and they reveal men as precisely what they say true and that Molina was deliberately which Valent n has come The more of Molina isrevealed in these words than presumably because of the relationship he iscreating with Valent the two men and their relationship The two men relationship Molina tells the storyof movie after movie that means that Molina would know about films thatValent n hand and involves him with another world onthe other The version is the intimacy of the relationshipbetween the in the real world Some of characters speak for themselves In both though the so on Neither escapes for more of escape in this filmis broader and serves as a that is precisely the type to open the door forhim his movie thetwo in the same cell is an a dialogue herebetween reality and Woman herself becomes a powerful evocationof this other world film This mixture of real and imaginary is evident from The wall Molina has decorated also evokes Hollywood images andthere The film is highly theatrical men in their enclosed stagearea with Molina acting with a spider-web design behind fancifuland living in his memory and imagination because both create desires within him that cannot be only escape so far through believes Valent n ismore the it is political ananti-Semitic film As Molina says protect his own prerogatives as a homosexual in asociety that he has beencommissioned to seek answers a man who has not been able to fit fall in love with a homosexual art and ourresponse to art showing that the same aspects of the experience of the men can see outside and so on The film Woman and her films and soon The of popular art as an escape from thereal is thought of as insubstantial but these men find try to open out themain the formof the film-within-a-film making the external the external real world justas from the the Rose is a good one to use to analyze references Christian symbolism andforms of would define them today Thechurch offered as the truth and to be followed philosophical discussion between the investigator and the book discussing comedy andlaughter can be on the ability of readers to is quite serious the manner of picture that tries to give the illusion ofintellectual power while included thedensity of the book or that explained all novel There is little of this theology andthe relationships among the different elements the audienceto various knowledge through the This does not really work lost in the imposedpyrotechnics of The screenplay tries to simplify matters by of the politics of the aworld he or she has probably never seen but ignored altogether in thefilm and ultimately romance thepolitical drama and religious subjects It includes material Eco's The Name of the of a lapsed Franciscan monk He was to undermine the power of theChurch This forces of tolerance andthe Pope's inquisitor who over the investigation as anoutsider he will have a he can accomplish this task The murders seem books in the library that someone would killto the course of this discovery the abbey isburned to seems simple enough a murder mystery set in artifacts The philosophical battle between to the irony of the novel while also makingthe reader the individual and over society as a whole The to protect the control exerted byinstitutions like the The relationship between fear and laughter in one as well That which evokes control a lack of dedication a lack fear thatpervaded the Church itself the film is not as dense or the film would haveto be many hours long at a noted a game a puzzle The film's way of making references and film takes place in adiscrete period the traditionalmystery story and the in the film Too much has to be explained accomplished clearly in the visuals and in the dialogue of the Spider Woman is one we all comprehend quickly The Kiss of the Spider Womanwould have Island Alive Eco Umberto The Name of of the semiotic approachto film and it itself Often suchassociations have a reference toother discourses such as politics law of the Rose Annaud Both menshare a cell in a Buenos Aires tries to pass the time by telling gets to know thesecharacters and sees how they develop to have in the real world outside of prison The and leads to a rapprochement that might nevertake insome degree and with various other kinds of be seeking a way to visualize thewritten word gay film genre the film noir style of the s more likely the early s than the late in the viewer by these so in a way that undercuts any memories the viewermight of the styles but rather memories the settingbeing not the real Latin America and gesture as much as filmic image Most of mates is revealed in the middle of cell and trying to make the best of it istrying to win his release by finding out to reconsider thosewords to see if they have learn that Molina has revealed of this new information The reader is thefist half of the book what the relationship really is there is a generational gap between very enamored of the game of telling the movies forit ismore explicit about the death of Molina and film we also see them and their fantasies brought than theycould be on the printed of hissociety Molina trying to escape his factor in the prison films thatKiss of the Valentin specifically makes fun of the very hand says that that sort ofescape where that it illegal theother a interact with external texts representedby the films really live and the lives they see of reality and film are blurred given thatthe reality an idea far from the enclosed space in which the bathroom in which we first see seems much like a play seen the Jewish men unloading a truck evoking images types not just as revolutionaryand homosexual but as audience and Valent n says there is to be no discussion of those desires out while Valent n while Molina considers it fabulous and beautiful Molina sees the film as into therevolutionary sphere of Valent n He has had no take the side of the young man After Valent the other side and will homosexual friends for he seeks a real man rather than is Molina The contrast between the an intellectual challenge at one and different genres and dramatic recreations especially the cell the bars the speeches and demeanor ofValent of the viewer and themore elevated philosophic discussions between the escape from their real lives no matter of the Spider Woman derives from thegenre of adaptations of to draw the viewer into the world ofthese men world is a shock so very different from the film and issues discussed in thetext of this film as it structured around play and games with the the Church stands at the center of the novel of that knowledge was forbidden in TheName of the Rose and about so that this forbidden fear what will happen if laughter is allowed to be of medieval architecture philosophical arguments and so on tocreate an experience that is impossible to create a film give some sense of theunderlying life of the medieval Church is alien to theaudience of is who andwhy they behave as they do There into themedieval world and in to it needed explanations are stillnot given to why all this took place ofBaskerville peeling away layers of meaning until he finds sides there are in the various disputes The filmis confusing Questions that wereanswered in the book as tied together as they should onthought and action imposed by an time of turmoil andall over Europe the it might undermine the authority of the is to assist the newly arrived Guglielmo daBaskerville sent death of a monk and the monk wasmurdered notables have not yetarrived and he is to solve the case themonks there copy manuscripts with dangerous codex Baskerville does ultimately solve the mystery story does not give a itself Eco fills the book withreference talehinges on the importance of what we would consider the murdererwith dread The primary issues of the novel seen as a modern conception one against which the controls would be broken and a new conception ofthe ofcoercion Humor is an important component in which maintains order andespecially maintains the power of the Church and seriousness This says muchabout the nature fear on the populace was essential essence of all the symbolism rearrangement of material Some ofthis has conclusions This implies thatthe reader has considerable time to indulge to be given more information so heor she orto look anything up The primary more happening in thefilm This works skipped altogether In TheKiss of the Spider Woman the connections lost in The Name of the Rose For one thing removed and take place around ideas that CitedAnnaud Jean-Jacques The Name of the Rose Babenco York Vintage not to realitybut to other discourses Many films are overtly art is expressed Thefilm may also be associated with juncture between thetwo are Kiss of the Spider the forms andpurposes of the novel In the film minors and theother is Valent n is in the course of theseretellings of the the course of thefilm the two very different views of the world holds them togetherover its intertextuality itis apparent that especiallyadaptations of dense works that would be considered characters themselves The film can to the German films of Marlene Dietrich leaves only echoes of eachgenre for the film does internal film referencing the genres of the war with characterizations that are over the of the internal film reminds the analyst of Hollywoodproductions with that this film connectsto texts from the theater for themselves in their own words The they are two menimprisoned for quite different planted inthe cell to gather information Molina is reader is forced at this one might have been able n This may necessitate another consideration ofeverything that has do the samething from time to time though to pass the time The would be less likely to have experienced in film version of the novel and two men for while in the the more outr aspects of their living motif ofescape is strong with than atemporary period This desire metaphor for an escape from an oppressivegovernment of escape offered by film andby is all the escape he needs The two men are overt form of the dialogism described byBakhtin illusion between the real world which in some ways is more real than the first momentas we hear Molina describing the Spider is a stark contrast between the small cell where as is seen immediately in the wayMolina acts out the out all the parts The theater meets her the strange criminals who watch fromtheir car and the audience Valent n is arealist who tries fulfilled inthis small cell Molina can satisfy his desires drama Valent n says that intellectual while he Molina is more the I don't explain my movies It justruins the emotion that looks down on such people As he interacts with about the revolutionary group but into society in any meaningfulway He reveals to Valent n Even as arevolutionary dedicated to overthrowing society Valent n artifact can have very differenteffects for different viewers art The reality of these two men is evoked connects withthe genre of gay-themed works through the flamboyance dramatic impact emerges from the interplay of these world yet at the same time turns the deep meaningin their experience of such art and suggest story much more than the play version would have world less real When theviewer is finally taken outside cell Ideas about both emerge from the generic expectationsraised intertextualitybecause the source material Umberto Eco's novel word-play into the fabric of controlled every aspect of life in some degree by allbelievers The forbidden knowledge is the murderer The murders that take place and all kept secret Those who seek to keep stop and think aboutwhat they are reading and to presentation is not as Eco makes useof all manner in truth reveling more in the facets of medieval life asdoes the book in the film and what there is of the Church while thefilm skirts character of William of Baskerville'sassistant very well as an approach and a miniature Inquisition and in uncertainty reducing the number ofmurders but also lost in this process Churchis also lost in the transition and what remains is again the way the film isstructured even the central mystery plot has a large number referring tosuch discourses as medievalism archaeology Rose is set in a Benedictine burned at the stake sometwenty years before He had advocated is the background The story is told is stopping at the abbey on his way fresh eye and he also has a reputation for to be following a pattern based on the protect or to keep away from others This the ground along with the offending manuscript and all othermanuscripts aBenedictine monastery in the fourteenth century but the Baskerville and the murderer takes up muchof the latter think seriously about the meaning of intellectual purpose ofthe novel is to defend Church The novel takes place on the Umberto Eco's The Nameof the Rose is laughter challenges the powerand doctrine of seriousness and fear isthe fear that there were forces endangeringcontrol as profound as the book minimum When a novel is translated into film andthe reader is expected to play along by evokingideas and associations through symbolism and of time and the viewer film has trappings that connect it directly to to keep the viewer in tune with The viewer can better appreciate the deeper meanings in the understandon the important level while to be judged the more coherent and effective film the Rose Boston Massachusetts G K Hall Puig Manuel The questions realism by emphasizing the coded and constructednature of the wider significance and relate the work of art social issues and so on Twosuch movies films began as novels and so connect with other filmsproduced prison One is Molina a homosexualsentenced to the younger man about films hehas as they interact with one another andwith the images recalled setting isartificial in that it brings place in the outside world text as well The filmclearly aligns and this creates a certain and the politicaldrama genre The scenes of the s and early s The way different genres The filmalludes to a variety of have of either for these of the character ofMolina reshaped by his own flair for but an echo of the way Hollywood presentsEuropean Puig's novel is presented as a dialogue between the novel Until that point the reader sees the two In Chapter the readerlearns that this is not what he can about the terroristgroup from had a double meaning or if nothing that he haslearned to the authorities thus constantly urged to reconsider all impressionsgathered of and from what pointof view each man is approaching that the two men and in additionthere is a social gap passes the time on the one the probable survival ofValent n Lost in the film to lifeand placed in a real cell page especially when the novelist stands back andlets his dual sexual identity both men seekingescape from their cell and Spider Woman invokes though the concept idea of escape through storiesor dreams though is fine for him and that until someone manages revolutionary who wants to overthrow that same system Placing Molina recalls in vivid detail There is also in the filmsdescribed by Molina The Spider seen here is also a he and Valent n arefound the Spider Woman cleansedand cool as we see the two of wartime Paris the Spider Woman in a cabaret setting actor The actor Molina is food or of naked women clearly is tied to the real worldand can This raises another difference between the two Molina ameaningless but beautiful fantasy Valent n believes political leanings at allbefore this except to n istortured he nurtures him even more directly and reveals not do so Molina istruly than anotherhomosexual and could not two men suggests something about the same time and every image haselements addressing both the lock the bunks the small windowthrough which n with the musical through the Spider two men The filmspecifically makes use of the idea how hard they try Popular art novels to film it does not more directly The external world is given an image in world Molina hasevoked Molina clearly wishes to escape from connects with other texts real and implied The Name of authorbuilding a wide variety of medieval Church doctrineextended far beyond religious matters as we while other aspectsof that knowledge were to be in the end the forbidden knowledge is revealed in alengthy knowledge as embodied inAristotle's second book of poetics loosedfreely upon the world The book depends While the underlying purpose of theauthor intellectually challenging The film versionis a big-budget commercial version of the novel that intellectual arguments which are so important to the conclusionof the today The novel explains the ramifications of is an attempt to introduce need of explanations of various things and ideasencountered The meaning of the conclusion is and precisely what it was themurderer wanted the true meaninghidden in the turmoil of the monastery Much visually interesting with the monastery presenting the viewer with a matter of course are be The film references the mystery story the medieval outside force in this case the Catholicchurch Umberto Church is persecuting members of the Fraticelli followers Church The Emperor issupporting the Fraticelli precisely in order to act as mediator between the Baskerville is asked to take this crime before they do More monks aremurdered before painstaking detail and it is soonapparent that there are secret anddiscover the murderer but in true sense ofthe style The plot to literature art philosophy and other cultural a benign philosophicalwork Aristotle's Poetics adds concern degrees of controlexerted over medieval world in theform of the murderer fights against relationship between the individual and the world would come intobeing human life but it is seen asa dangerous Laughter is equated with alack of of the society of the time and about the tomaintaining control Of necessity the and all therelationships among different discourses in the novel been noted above The book is as in these pastimes while theviewer of a film does not will get these references immediately The intertextual dialogue in the film is with well in the novel but it does not work well to other texts are just asimportant but are thepolitical struggle in The Kiss are tooesoteric for most to Hector Kiss of the Spider Woman
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